{"id":792,"date":"2020-05-04T22:06:53","date_gmt":"2020-05-04T22:06:53","guid":{"rendered":"http:\/\/annette-ernst.com\/?page_id=792"},"modified":"2025-04-07T09:37:31","modified_gmt":"2025-04-07T09:37:31","slug":"press-en","status":"publish","type":"page","link":"https:\/\/annette-ernst.com\/?page_id=792&lang=en","title":{"rendered":"press-en"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"792\" class=\"elementor elementor-792\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7cc7218a elementor-section-stretched elementor-section-full_width elementor-section-height-full elementor-section-items-top elementor-section-height-default\" data-id=\"7cc7218a\" data-element_type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;,&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t\t<div 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tabindex=\"-1\">contact<\/a><\/li>\n<\/ul>\t\t\t<\/nav>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-60ab91eb elementor-widget__width-initial elementor-fixed elementor-widget elementor-widget-image\" data-id=\"60ab91eb\" data-element_type=\"widget\" data-settings=\"{&quot;_position&quot;:&quot;fixed&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" loading=\"lazy\" width=\"40\" height=\"318\" src=\"https:\/\/annette-ernst.com\/wp-content\/uploads\/2020\/03\/annette-ernst_05.png\" class=\"attachment-large size-large wp-image-147\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-648b196c elementor-widget elementor-widget-heading\" data-id=\"648b196c\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Press reviews<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6cc75467 elementor-widget__width-initial elementor-fixed elementor-widget elementor-widget-image\" data-id=\"6cc75467\" data-element_type=\"widget\" data-settings=\"{&quot;_position&quot;:&quot;fixed&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"http:\/\/neu.annette-ernst.com\/?page_id=194\">\n\t\t\t\t\t\t\t<img decoding=\"async\" loading=\"lazy\" width=\"56\" height=\"278\" src=\"https:\/\/annette-ernst.com\/wp-content\/uploads\/2020\/03\/impressum-1.png\" class=\"attachment-large size-large wp-image-424\" alt=\"\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2417003 elementor-testimonial--align-left elementor-testimonial--skin-default elementor-testimonial--layout-image_inline elementor-arrows-yes elementor-widget elementor-widget-testimonial-carousel\" data-id=\"2417003\" data-element_type=\"widget\" data-settings=\"{&quot;show_arrows&quot;:&quot;yes&quot;,&quot;speed&quot;:500,&quot;autoplay&quot;:&quot;yes&quot;,&quot;autoplay_speed&quot;:5000,&quot;loop&quot;:&quot;yes&quot;,&quot;pause_on_hover&quot;:&quot;yes&quot;,&quot;pause_on_interaction&quot;:&quot;yes&quot;,&quot;space_between&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;space_between_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;space_between_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]}}\" data-widget_type=\"testimonial-carousel.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-swiper\">\n\t\t\t<div class=\"elementor-main-swiper swiper-container\">\n\t\t\t\t<div class=\"swiper-wrapper\">\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t4 \/ 2025 - WDR program preview<\/br> \nEinspruch Schatz - Schwesterliebe - Folge 5\n<\/br> \n\"\n\nGrimme Award winner Annette Ernst adapted Torsten Lenkeit's screenplay, which takes a critical look at Leipzig's housing market in the legal episodic plot, with pace, humor, and sensitivity.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t03\/2025 - 3\/2025 tittelbach.tv<\/br> \n\nEinspruch Schatz\u201c - Episodes 4 + 5 <\/br> \n\"It's not least the attention to detail that sets the fourth film in the series apart from the others. This has a lot to do with the plot, as well as director Annette Ernst.\"\n(Tilmann P.Gangloff) \t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t07\/2022 - film review board FBW<\/br> \n\nMutter, Mutter, Kind \u2013 let\u2019s do this differently <\/br> \n\"Long-term documentary about an unusual family universe. A sensitive, intelligent and\nimpressive plea for diversity, tolerance and variety.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t10\/2022 - FAZ<\/br> \n\nMutter, Mutter, Kind \u2013 let\u2019s do this differently <\/br> \n\"Heartfelt project with insight...  in \"Mother Mother Child\", viewers can see the huge social changes that have taken place... how difficult it can still be in personal relationships is not concealed in the film.\"\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t10\/2022 - MDR Kultur<\/br> Mutter, Mutter, Kind \u2013 let\u2019s do this differently <\/br> \n\"Very entertaining, this curious story is great fun.\"\n\"All around lovely women portrayed there and especially the children impressed me (Knut Elstermann).\"\nIt is at the same time a film about the queer movement. There is a lot of talk about the changes, about the achievements that are now being turned back in parts of Europe. So it's a film that is very topical.\"\nBut above all it is warm, it is funny. It shows a very contemporary, very warm-hearted image of family, which is nothing other than an agreement between people who are there for each other. And this film celebrates that beautifully.\"\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t10\/2022 - Kino-Zeit.de<\/br> Mutter, Mutter, Kind \u2013 let\u2019s do this differently <\/br>  \n\n\"Long-term cinematographic observations are as elaborate as they are rare. None has been as important as this one for a long time. (...) Dramaturgically cleverly mounted, Ernst always brings out the next joke when the audience is no longer expecting it.\" \n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t02\/04\/2020, Frankfurter Neue Presse<\/br>\nDocfilms and comedies are her life.\n\"Her series Deutsch-Les-Landes with Christoph Maria Herbst, Sylvie Testud, Rufus Beck and Anna Thalbach, which she made for Amazon France and Telekom, is going very well. (...) The year 2019 was a tough one for Annette Ernst. She shot two 90-minute films for ARD in the Allg\u00e4u. (...) At the moment she is working on a project with the French writers Franck Magnier and Alexandre Charlot, who wrote the success story \"Welcome to the Sch'tis\".\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t08\/03\/2020, Frankfurter Allgemeine Sonntagszeitung<\/br> Recognize the situation - On International Women's Day, seven representatives of the Hessian cultural scene, from editor to conductor, will speak about the state of affairs.\n\"Indignation is definitely beneficial. It began seven years ago in a Frankfurt caf\u00e9. The Frankfurt director Annette Ernst and her colleague Katinka Feistl were founding members of the initiative Pro Quote Regie. (...) Pro Quote Regie has meanwhile become Pro Quote Film, all trades are represented there...\".\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\tNovember 2018, Blickpunkt Film<\/br> Die Deutschsprecherin - The German Spokeswoman - With Deutsch-Les-Landes, Prime Video is now also launching a French series. The highlight: half of the episodes were realized by a German director.\n\"In addition, she has proven with the long-term documentary 'Not from bad parents' that she is open to the unusual. The Hessian, who also works as a producer and who founded STOKED FILM back in 2003, is also very committed: she co-founded Pro Quote Regie. And has now shot 50 percent of a French series. ...on target.\"\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\tOctober 2018, Blickpunkt Film<\/br> From blue sky - Annette Ernst and Denis Dercourt have succeeded in creating a truly international series with Deutsch-Les-Landes, which will be fed into Magenta in Germany and broadcast in France by Prime Video.\n\"I like to try to tell something about the complexity of the world with humour and a light tone. I want to stage stories that also have a positive perspective. Of course a story needs conflicts, but it must be possible to evolve.\"\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\tSeptember 2017, black box<\/br>conversation with Annette Ernst\n\"The content of streaming services is also less restricted, no word was said about the joint in a scene for example - I know this differently from German editorial offices. (...) An increase in creative freedom. For example, the topic of 'music' has brought me to the brink of despair in many a German production for broadcasters. Music is demanded in places that don't need it for me. (...) It's great that you can once again serve niches in the streaming service, it doesn't have to please everyone and it can be told in the flow of a series without having to take into account clich\u00e9s like the 'ironing housewife' and her 'husband fetching beer'. It's an act of liberation.\" [Working for Amazon France and Magenta TV\/Telekom, on the series Deutsch-Les-Landes.]\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t04\/06\/2017 , Frankfurter Allgemeine Sonntagszeitung <\/br>The woman who makes a wave - her 'primordial competence' is the comedy, says Frankfurt director Annette Ernst. But she can also be different.\n\n\"Annette Ernst knows about waves. After all, water is her subject. For years, she has been doing research for a documentary film project called 'water & soul', which traces water and its value in the world. A philosophical, ecological and highly political topic at the same time. This is one of the reasons why the screenplay, which won the Hessian Film Prize in 2009 and has undergone all kinds of changes since then, has still not become a film. (...) 'For me, documentary film means a personal expression on a topic', says Ernst. (\u2026)\nSometimes making films is like making water: it finds its way.\"\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t04\/09\/2012, Welt Kompakt\t<\/br>\ncareer changer by conviction\t\n \u2013  <\/br>\n\"Es kommt noch dicker\"\nstarts with a double sequence\n\"Making a good comedy is not easy. A comic series even less so.\"\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t25\/01\/2012, Frankfurter Allgemeine Zeitung \t<\/br>\n\"The director who likes her characters...\"\nHer work has also won a german television prize twice. It's about... \neach time around comedies, a genre that reflects her view of the world, as she says. She \ntry to find the funny in everything that comes along. (...)\nAnnette Ernst will be shooting a series in Vienna immediately afterwards. After eight 90-minutes in her \nPortfolio this is her first series.\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t01\/10\/2009, Frankfurter Rundschau, <\/br>\"\t\nFilms can be healing\"<\/br>\n\"Coincidences, luck, and oddities. Mix everything well dosed and tempered, with good \nmixing friends, conversations, stubbornness and the desire to associate, a gran melancholy, two \nadd heaped ladles of comedy and boil everything up with a good bottle of wine. And: Bite. From this, \n...gets serious.\"\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t2006, Nr. 9, Der Spiegel, \t\nCool times<\/br>\n\"Appropriately, Annette Ernst's comedy about two men in the thirtysomething crisis smiles with \na hilarious Stephan Luca.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t2005, epd movie 5<\/br> \t\nSome men can't get girls\t\n \u2013 <\/br>\nThe drama of the german romantic comedy\n\"Then maybe there will be more productions that dare to make a film comedy \ndirector who can do girls. And then find a distributor who thinks that girls \nhave something to say in German cinema.\"\n\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t2005, Journal Frankfurt<\/br> \"\t\nPeeled feelings\"<\/br>\n\"The director and her production company have managed to create an entertaining piece of cinema \n...that has the tempo and beat of the metropolis on the main.\"\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t22\/03\/2005, Hamburger Abendblatt<\/br> \"\t\nTo see each other, to dare, to trust each other\t\n \u2013  \nPillow talk \n& Baby happiness starts where other movies end.\t\n\u201c<\/br>\nDirected by Grimme award winner Annette Ernst\n\"The 39-year-old is undoubtedly a director who raises hopes for a genre that is rarely \ncritical appraisal. She has devoted herself entirely to comedy, to the supposedly light genre, which is so difficult to achieve in this country. (...)\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t21\/03\/2005, Frankfurter Allgemeine Zeitung<\/br> \"\t\nThings always turn out well for me\"\t\n \u2013 <\/br>\nSelf-confidence is a question of point of view\t\n: \nAnnette Ernst makes good weather at Grimme\n\"Emma's behavior (in kiss & run) is typical of many women. \"Instead of focusing on her talents. \nwomen often spend years denying their skills, asking themselves why they are so \nand are not different and imagine what they could do great if they were different. \nMen are different. Men just do. (...)\n\"The subject of childless parents is serious, but with a sense of subtle humour the director manages to\nto tell history with a wink of the eye. Such a successful tightrope walk is the \ntrademark of Annette Ernst.\"\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t21\/10\/2004, Frankfurter Allgemeine Zeitung<\/br> \"\t\nFunny question about real life\"\t\n \u2013 <\/br>\nkiss and run\t- \n the movie of the Frankfurt director Annette Ernst from today on in the cinema.<\/br>\"Back in 2002. \t\nkiss and run\t\n and was successfully shown at festivals in 2003, not \nonly at Max-Oph\u00fcls-Festival in Saarbr\u00fccken and in Hof at the Filmtage, but also in the German series of the Berlinale, \nin Cannes and in Houston.\"\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t20\/10\/2004, Frankfurter Rundschau<\/br>\"\t\nWhen you get more out of life\"\t\n<\/br>\nFrankfurt director Annette Ernst on optimism, optimal high-rise housing estates in \nher theatrical debut, \"kiss & run\".\n\"But I found \t\nkiss and run\t\n fits to Frankfurt: There will be a small, somehow also \nmulticultural world, already in Emma's family with four siblings from four fathers it is like this.\"\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"swiper-slide\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-testimonial\">\n\t\t\t\t\t\t\t<div class=\"elementor-testimonial__content\">\n\t\t\t\t\t<div class=\"elementor-testimonial__text\">\n\t\t\t\t\t\t12\/02\/2003, Frankfurter Rundschau<\/br> \"\nInfected by fever on the set\"\n<\/br>\nFrankfurt film director Annette Ernst will be showing her debut \"kiss & run\" in Berlin. <\/br><\/br>\n\"There is magic and wonder in first films. (...) I can do nothing but comedy, perhaps because my name is Annette Ernst (note the German word Ernst means serious).\"\n\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-testimonial__footer\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-swiper-button elementor-swiper-button-prev\" role=\"button\" tabindex=\"0\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"eicon-chevron-left\"><\/i>\t\t\t\t\t\t\t<span class=\"elementor-screen-only\">Voriger<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<div class=\"elementor-swiper-button elementor-swiper-button-next\" role=\"button\" tabindex=\"0\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"eicon-chevron-right\"><\/i>\t\t\t\t\t\t\t<span class=\"elementor-screen-only\">N\u00e4chster<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-79f8e3b2 cpel-switcher--layout-vertical cpel-switcher--align-right elementor-fixed elementor-widget__width-initial elementor-widget elementor-widget-polylang-language-switcher\" data-id=\"79f8e3b2\" data-element_type=\"widget\" data-settings=\"{&quot;_position&quot;:&quot;fixed&quot;}\" data-widget_type=\"polylang-language-switcher.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<nav class=\"cpel-switcher__nav\"><ul class=\"cpel-switcher__list\"><li class=\"cpel-switcher__lang\"><a lang=\"de-DE\" hreflang=\"de-DE\" href=\"https:\/\/annette-ernst.com\/?page_id=733\"><span class=\"cpel-switcher__code\">DE<\/span><\/a><\/li><li class=\"cpel-switcher__lang\"><a lang=\"en-US\" hreflang=\"en-US\" href=\"https:\/\/annette-ernst.com\/?page_id=792&#038;lang=en\"><span class=\"cpel-switcher__code\">EN<\/span><\/a><\/li><\/ul><\/nav>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Press reviews 4 \/ 2025 &#8211; WDR program preview Einspruch Schatz &#8211; Schwesterliebe &#8211; Folge 5 &#8222; Grimme Award winner Annette Ernst adapted Torsten Lenkeit&#8217;s screenplay, which takes a critical look at Leipzig&#8217;s housing market in the legal episodic plot, with pace, humor, and sensitivity.&#8220; 03\/2025 &#8211; 3\/2025 tittelbach.tv Einspruch Schatz\u201c &#8211; Episodes 4 + [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_canvas","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/annette-ernst.com\/index.php?rest_route=\/wp\/v2\/pages\/792"}],"collection":[{"href":"https:\/\/annette-ernst.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/annette-ernst.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/annette-ernst.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/annette-ernst.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=792"}],"version-history":[{"count":73,"href":"https:\/\/annette-ernst.com\/index.php?rest_route=\/wp\/v2\/pages\/792\/revisions"}],"predecessor-version":[{"id":2130,"href":"https:\/\/annette-ernst.com\/index.php?rest_route=\/wp\/v2\/pages\/792\/revisions\/2130"}],"wp:attachment":[{"href":"https:\/\/annette-ernst.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}